William Frederick Kirk (1877-1927) was a well-known poet, songwriter, humorist and baseball writer. [1] A longtime newspaperman, he first worked at the Chippewa Falls Herald and the Milwaukee Sentinel.
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In 1905 he signed a contract with the Hearst organization and moved to New York, where he was employed at two of William Randolph Hearst's papers: the New York American and the New York Evening Journal. [2] After returning to Chippewa Falls in 1918 he continued working as a nationally syndicated columnist. [3]
Kirk was born in Mankato, Minnesota in 1877 and came to Chippewa Falls, Wisconsin at the age of four. He graduated from high school there and began his career in journalism on a local paper. His humor column, “Fleeting Fancies”, was a popular feature at the Chippewa Falls Herald and later at the Milwaukee Sentinel. [1] It brought him to the attention of metropolitan dailies and was the name of his first book, published in 1904. Kirk's lyrics drew comparisons with those of other poets, whose work he sometimes parodied: Henry Wadsworth Longfellow, Eugene Field and James Whitcomb Riley.[4]
For eighteen years Kirk was distributed by the International Features Syndicate and reached a national audience as he wrote on subjects as diverse as baseball, temperance, women's suffrage and divorce. [5] His pieces were seen in everything from “The Smart Set” to trade union publications.
Recent works on baseball's deadball era have had numerous samples of Kirk’s sports writing. One can, for instance, read his account of Fred Merkle's infamous blunder [6] or his rhyming tribute to the Flying Dutchman, Honus Wagner. [7] The Unforgettable Season by Gordon H. Fleming recounts the 1908 National League pennant race through contemporary press coverage by Kirk and others. [8] In 1911 he published a collection of baseball ballads called Right Off The Bat.
In 1918 Kirk moved back to Chippewa Falls, desiring to live among old friends in his boyhood home. He belonged to several fraternal organizations and was a prominent figure in the town. [9]
Failing health caused his early retirement, and after an illness of many months he died of cancer in 1927. [10]
William F. Kirk is especially remembered for his Scandinavian dialect poetry, written for a daily column and later published in book form. His byline, “The Norsk Nightingale”, was a familiar sight in newspapers across the country. His first collection of dialect verse, The Norsk Nightingale, [11] presented a Norwegian lumberjack from the Upper Midwest. It was his most popular book with sixteen editions printed over a period of thirty-five years. At the time of its publication one reviewer wrote: “Novelty and freshness, and no little ingenuity as a parodist, salute us in this volume of dialect verse hailing from the haunts of the lumberjack or, more locally, northern Wisconsin and Minnesota, where dwell so many neo-Americans of Scandinavian birth.” [12]
His second volume of dialect verse, Songs of Sergeant Swanson, [13] reflected the experiences of a Swedish-American doughboy in World War I. A book of more limited appeal, it only had one edition.
Kirk's ethnic poetry put forth the notion that Scandinavian-Americans were good-natured but a little slow. This humorous stereotype had been employed in the 1890s by the playwright Gus Heege in such theatrical works as “Ole Olson” and “Yon Yonson”.[14]
Scandinavian dialect humor took other forms: vaudeville sketches, joke books, movies, records and sheet music. In quick succession Tin Pan Alley published “Hello Wisconsin”, “Holy Yumpin Yiminy” and “Scandinavia" (Sing Dose Song And Make Dose Music). The popular recording artists Eleonora and Ethel Olson were known for their warm depictions of immigrant life in such stories as “The Old Sogning Woman” and “A Norwegian Woman Using the Telephone”.
El Brendel, Yogi Yorgesson, Stan Boreson and countless others have followed in Kirk’s footsteps, and there is still a receptive audience — especially among Scandinavian-Americans — for tales of lumberjacks and sergeants with more heart than brain.
Articles and photos
Books by William F. Kirk
The Encyclopedic Discography of Victor Recordings
Sheet music
PDF files at the Internet Archive
Recordings at the Internet Archive
Streaming audio at the Library of Congress
Gus Heege
Performers